Set of 2

Holds 12 oz

The Swedish designer Björn Dahlström (born in 1957) began his career in graphic design, which is evident in his approach towards glass, and in his two- and three-dimensional work as an industrial designer. His breakthrough came with the BD1 lounge chair for CBI Design Sweden, which was awarded Furniture of the Year in 1995. He has designed rugs, bicycles, toys, furniture, and household products for companies including CBI, Atlas Copco, Marimekko, Magis, and Kasthall.

Dahlström’s work is represented at the Victoria and Albert Museum in London, the United Kingdom, National Museum in Stockholm, Sweden, and the Centre National des Arts Plastiques in Paris, France, among other museums. His numerous distinctions include the 2001 Torsten & Wanja Söderberg Prize – one of the most prestigious design awards in the Nordic region.

For Orrefors, Björn Dahlström has designed Informal. The collection was nominated in 2021 for the Swedish Design Prize in the category of “Identity Product Design” and earned second place (silver).

Orrefors is located in the Swedish village Orrefors in Småland, Sweden.

Orrefors Glassworks was founded in 1898, where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labor. Glass now replaced the less profitable ironworks operations.

In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later.

That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix.

The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship.

Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald.