Crystal

3.75 x 3.75 inches

Karim Rashid (born in 1960) is an Egyptian-born and Canadian-raised industrial designer who is one of the most prolific designers of his generation. Over 4000 designs in production, over 300 awards, and working in over 40 countries attest to Karim’s legend of design.

His award-winning designs include luxury goods for Christofle, Veuve Clicquot, and Alessi and packaging for Method, Paris Baguette, Kenzo, and Hugo Boss, among others.

Karim’s diversity affords him the ability to cross-pollinate ideas, materials, behaviors, and aesthetics from one typology to the next, crossing boundaries and broadening consumer horizons.

For Orrefors, he has designed the Klone vase and the multi-functional candlestick Torg, among others.

Orrefors is located in the Swedish village Orrefors in Småland, Sweden.

Orrefors Glassworks was founded in 1898, where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labor. Glass now replaced the less profitable ironworks operations.

In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later.

That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix.

The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship.

Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald.