Ann Wolff: Observations and Reflections

Ann Wolff:  Observations and Reflections available at American Swedish Institute.
Ann Wolff:  Observations and Reflections available at American Swedish Institute.
Ann Wolff:  Observations and Reflections available at American Swedish Institute.
Ann Wolff:  Observations and Reflections available at American Swedish Institute.
Ann Wolff:  Observations and Reflections available at American Swedish Institute.
Ann Wolff:  Observations and Reflections available at American Swedish Institute.
Ann Wolff:  Observations and Reflections available at American Swedish Institute.

Ann Wolff: Observations and Reflections

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"Art is coming from my inside. I am working as its servant.— I let it out not thinking too much— using my hands and gesture— choosing a material to put it on place. I do not use the art. It is using me.“

Ann Wolff (b. Lü beck, 1937; lives and works in Visby and Kyllaj, Sweden) has ranked among the most significant and most influential glass artists on the international scene for over five decades. Yet she has also worked in bronze, aluminum, nickel silver, and concrete, creating abstract as well as figurative sculptures, and produced a sizable oeuvre on paper: pastels, drawings, and fine art prints. Ann Wolff enrolled at the legendary Ulm School of Design in the 1950s to study visual communication with Otl Aicher. From 1993 until 1998, she was professor of “ materials-related design” at the University of Fine Arts (HFBK) in Hamburg. Her works, which have garnered an array of prizes, have been shown in numerous solo exhibitions and are held by renowned public and private collections all over the world.

Hardcover

Mark Gisbourne is one of Europe’ s most internationally renowned and respected curators and art historians. British-born, educated in Rome and currently based in Berlin, he is a truly global figure with extensive knowledge and life achievements within various spheres of the art world. Mark was a former Tutor at the Courtauld Institute of Art; Lecturer of the Master’ s programme at the Slade School of Art in London; as well as postgraduate Senior Lecturer in Post-war and Contemporary Art, at Sotheby’ s Institute. He was former President of the British Art Critics Association (AICA).